Mule Train Stomp / Pretty Please (7", Single, RE)
SWAN
S-4088
Unknown
S 4088
Roy Buchanan
Mule Train Stomp (7", Single)
Swan
S 4088
US
1961
Album
Mule Train Stomp - Roy Buchanan. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Mule Train Stomp. Roy Buchanan. Mule Train Stomp, Pretty Please. Redeye Distribution, The Orchard Music от лица компании Swan Records и другие авторские общества 2. Roy Buchanan - Mule Train Stomp. On this page you can download song Roy Buchanan - Mule Train Stomp in mp3 and listen online. Blues Blues Rock. The Early Years. Rock 1961. Pretty Please. 2 Songs, 5 Minutes. Released June 3, 1961. 1961 Swan Records a division of 43 North Broadway, LLC. Listen free to Roy Buchanan Mule Train Stomp, Pretty Please Mule train stomp, Pretty Please. 2 tracks 4:48. Play album. Buchanan told how his first musical memories were of racially-mixed revival meetings his family would attend. Gospel, he recalled, that's how I first got into black music. Roy Buchanan: After Hours. The Early Years - 1957-1962 Recordings. Interpret: Roy Buchanan. Album titlle: Mule Train Stomp - Pretty Please 7inch, 45rpm. Genre Rock'n'Roll. Mint M. Buchanan recorded the wild instrumental title Mule Train Stomp for Swan in Philadelphia under his own name in 1961 and was on the Cotton label the following year on the hit The Jam - Part 1 by drummer Bobby Gregg and his Friends. I had made a few demos in Philadelphia and he heard them, Buchanan said. Artist: Roy Buchanan. Album: The Swan Recordings: Roy Buchanan, 1999. LEROY BUCHANAN. Ozark, Arkansas. Swan Records. Mule Train Stomop, Pretty Please. Irvanne Item No: 491229. Vinyl 7 1961, UK Reissue New. Titel: Mule Train Stomop, Pretty Please. Label: Irvanne
Performer
Roy Buchanan: American guitarist and blues musician. A pioneer of the Telecaster sound, Buchanan worked as a sideman and as a solo artist, with two gold albums early in his career and two later solo albums that made it to the Billboard chart. He never achieved stardom, but he is still considered a highly influential guitar player. Guitar Player praised him as having one of the 50 Greatest Tones of All Time. He appeared on the PBS music program Austin City Limits in 1977. Wayfaring Pilgrim, The Messiah Will Come Again, Sweet Dreams и другие песни. Roy Buchanan: все альбомы, включая Jammin' with Roy , Mutual Feedback , Live At Town Hall 1974 и другие. Listen to music from Roy Buchanan like Sweet Dreams, Wayfaring Pilgrim & more. Find the latest tracks, albums, and images from Roy Buchanan. Roy Buchanan's September 23, 1939 - August 14, 1988 musical career began in Pixley, California. Buchanan told how his first musical memories were of racially-mixed revival meetings his family wo read more. Leroy Roy Buchanan September 23, 1939 August 14, 1988 was an American guitarist and blues musician. He appeared on the PBS music program. Roy Buchanan Фото исполнителя Roy Buchanan. United States. Pой Бьюкенен англ. Roy Buchanan 23 сентября 1939 - 14 августа 1988 - американский гитарист и блюзовый музыкант. Гитарист для гитаристов , по чьему-то удачному определению, он в силу различных причин всегда был более известен в профессиональной среде, нежели среди рядовых посетителей концертов или покупателей пластинок. Roy Buchanan. Biography by Greg Prato. Follow Artist. The master guitarist whose unprecedented technique made him a blues hero in the 1970s. Read Full Biography. Overview . Biography . Roy Buchanan September 23, 1939 - August 14, 1988 was an American guitarist and blues musician. A pioneer of the Telecaster sound, Buchanan was a sideman and solo artist, with two gold albums early in his career, and two later solo albums charting on the Billboard chart. Despite never having achieved stardom, he is still considered a highly Read More. Roy Buchanan The Life and Times of Roy Buchanan By Phil Carson Roy Buchanan and his battered 1953 Telecaster guitar got inside your head and grabbed you in the. It seems natural, in retrospect, that Buchanan made his mark primarily as a performer, not a recording artist. Though he made a few hit records, his music came alive on the stage of a darkened nightclub in a way that bred affection and loyalty in his audience, the devoted denizens of the midnight hour. He took listeners to places of ineffable beauty, or seared them with tortured blues. Crowds rocked clubs to their foundations with demands for More
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